The Murder Barn

Hello all,

As i'm sure a lot of you are aware i've been playing bass with The Fierce & The Dead, alongside Matt Stevens and Stuart Marshall. And i'm sure a lot of you are aware that our debut album is in the works. It's been a real slog with this album - not because of the music but because of 'incidents' that have delayed the work. When the album is out I might tell the story in full but so far one, all or some of us have faced (and dealt/ are dealing with) being homeless, having babies, a best friend dying suddenly, severe mental illness (not ours), unemployment, slipped discs, various other severe illnesses and a laptop blowing up. To say it's been a bit out of control is an understatement.

Things seem on a more even keel now so it looks like the album will be released early next year. Thanks to everyone who has kept harassing us for updates! It helps, it honestly does. Nice to know that people are sticking with us. Oh, and it sounds fricking awesome.

Some of you may be unaware that i'm also the bass player in a 6 piece band called The Murder Barn (website on it's way, only a facebook page at the moment). I recorded the album for them and became good friends so when they ended up a bass player short I was asked to step in. It's been a very enjoyable experience and continues to be so. The album should be released shortly and gigs have been booked. Exciting times. We're playing at the Bull & Gate in Kentish Town this coming Saturday (December 11th 2010) and it's the first time i've been on stage for a loooooong time. I'll be fine though right? If you want to know what you'd be getting involved in then have a listen here or on the player below.

Stone Cold Heart by The Murder Barn


I have to say that i'm really enjoying being a musician again. Whilst I love the process of making records and getting to be involved in the creative process of other peoples projects you really can't beat the feeling of playing in a good band with good people.

Hope some of you can make it to the gig. I'll be the one in a cheap suit with a massive beard.

I'm also quite chuffed to be mixing a few live tracks for The Duke Spirit in the next few weeks. Lovely people and they've got some cracking new tracks. I'll let you know when there's something to hear.

Kev.

Been a looooong time.

Hey all, been too long I know.

I'm getting it together again so more ramblings to come soon. New website soon too. How exciting.
Here's a picture of a job I did with Darius to tide you over. My life gets weirder and weirder.



From the pen of
Kevin James Feazey.

Filler

Hello all,

I was hoping to get part 2 of 'The making of The Fierce & The Dead' up on the blog tonight (you can still read part 1 here) but as always other stuff came up so I thought i'd just fill you in on what has been happening at my end. If you don't know what i'm talking about then go have a look here.


A couple of weeks ago I found myself at The Royal Festival Hall on Londons Southbank recording a concert being performed by The Royal Philharmonic Orchestra. They were playing music composed by Azerbaijani composers, of which there are many. It was an evening organised and paid for by some hyper rich Azerbaijani fellow who was doing this to promote his countrys culture. I thought most of these guys blew it all on hookers and blow, but I guess I was wrong. I have to say, far from it being a vanity project the quality of the compositions was excellent and there are far more respected composers from there than I ever knew about. I recommend checking out Gara Garayev. Bloody good stuff. Here's a little clip of what went on.

Oh and i've just started up my own youtube channel so go subscribe and you'll get to see some of the exciting things I get to do. And share my pain with some of the less exciting things I get to do. Have a look here.

Also i've found a really nice forest near my home in South London. It's kinda cool in a huge adventure playground way. I miss the countryside sometimes.



And finally - don't lose your iPhone as they are bloody pain to replace. That's this weeks top tip.

Ta ra,

Kev.

The making of The Fierce And The Dead: The Recording.

Hello all,

I've been getting quite a few requests by the various species of geeks out there asking how The Fierce & The Dead e.p. was recorded. Well i'm not one for secrets so i'll tell all. By the way - if you don't know what The Fierce & The Dead is, it's a new band project i'm involved in along with Matt Stevens and Stuart Marshall. You can see our website at www.fierceandthedead.com.

So i'll start with where it was recorded. It was in the live room of Pinna Studios in an evening session last November (2009). Pinna Studios was the room based at the Fortress studio complex in Old Street, London and I ran it as a commercial facility for 4 years with the one the only Sonny. We moved out of there in December and TFATD was one of the last band projects we did there. The room was always strangely great sounding considering that it had fairly low ceilings and was a bit of a box. We never questioned it though as we adhered to my Audio Engineer Rule#2 - If it isn't broken don't try to fix it. It's something that many people fall foul of. Rather than listening first and then deciding what to do, they fall in comfortable habits or just follow what someone else in a book/magazine/website has told them they should do. My Audio Engineering Rule#1 is - Listen!!! If you want to hear more of that particular rooms sound then you should get Polar Bears new album Peepers, which was recorded live in the room. Viva la spill!!

Anyways, I digress.

So we had Stuart with his back facing a corner and the kit facing the opposite corner off the room. Baffles behind him and to his left and right, but not closed in. They were to focus the sound going forward from the kit and elimante reflections from the corner and the window to his left. The kit was our standard house kit - a 4 piece Pearl Export, with Stuarts patented cheap shitty no name snare that sounds like a biscuit tin in the room but sounds great through a mic. Cymbal wise he only ever uses one crash and a ride. Simplicity breeds invention in his case I think. The kit was miked in fairly standard minimal set up - nothing too fancy. Can't remember all the mics but there would have been a Sennheiser E602 on the kick front, a Shure Beta 57 on the snare, and probably straight 57s or some cheap Superlux mics on the toms. Can't be sure on that as it was a while ago. Overheads were SE Electronics SE1s. There was a 57 on the hi hats and a trashy £20 Shure mic i've had for years on the ride. I think we had a vintage RCA ribbon mic up as a front of kit mic about 4 or 5 feet away. So a nice cheap 'n' nasty set up.




The bass was a 70's Fender Precision borrowed from Mr. Dan Wilson going through an old Torque amp that belongs to Sonny. That was close miked with a Beyer Dynamic Opus I think. We also took a di from the bass as well. The amp was set up just behind the baffle to Stuarts left.

Matt was playing his Mexican Fender Tele through the Line 6 DL4 delay and then into a Fender Princeton set on clean. We also took a di post delay from his guitar. The reason for taking it post delay was that we agreed his use of delay would be part of his performance and so shouldn't be edited in the mix. Miked the amp with a straight 57. That amp was set up on a chair facing 90 degrees to the drums just behind the baffles to Stuarts right.



We decided to not to use headphones and set the amp volumes in the room for our needs and then dealt with the recording levels afterwards. It was all going straight into our Soundcraft Ghost desk, with a bit of eq here. I allowed the kick and snare channels to drive the desk a little as well. I have to say that for a lo/mid range desk the Soundcraft is a great workhorse. Clean preamps, usable eq, what more do you want! It's better than a Mackie that's for sure!

No compression was used at the record stage, which is something I tend to do most of the time. I find that unless you are very familiar with a track then compression can take away some of the natural dynamics if not set correctly. So, especially in the case TFATD, I thought it would be better to leave it off.

And all of that came out of the Ghost into Apogee convertors and then into our Pro Tools HD2 rig. Lovely.

So that's the recording side of things. If you're still interested i'll write next week about the mixing.

Ta ra,

Kev.

The Fierce & The Dead - Part 1.

Hello all.

So my new project The Fierce & The Dead has finally released our first track. And when I say track I mean it's 18 minutes long. What the hell eh. If you'd like to hear what Matt Stevens, Stuart Marshall and myself get up to when we think no one is looking then you can listen, download and buy here. The site is almost finished, but most of the important stuff is up so you can have a look at that here.

We will hopefully be going into the studio in about a months time to start recording tracks for an album which should be out mid summer if all goes well. Some gigs are getting lined up to so exciting times are ahead.

Till next time,

Kev.